Rory Lewis is a British portrait photographer renowned for his distinctive, Caravaggio-inspired use of light and form. Based in Los Angeles, and also working across New York and London, he has photographed an extraordinary range of subjects—from Hollywood icons and world leaders to distinguished military figures. His portraits, celebrated for their narrative intensity and painterly depth, are part of the National Portrait Gallery’s permanent collection and have been exhibited internationally.
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RORY LEWIS INC
411, Unit 222 S Main St
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Recent Sittings
It was an absolute pleasure to photograph Ben Miles, whose remarkable career spans stage, film, and television. From his breakout role in the BBC comedy Coupling to his nuanced portrayal of Peter Townsend in The Crown and most recently as Tay Kolma in Andor, Ben has long stood as one of Britain’s most versatile actors.
Lloyds Banking Group commissioned a series of corporate portraits for display at their Gresham Street headquarters in London. Captured over a two-week period, the project took Rory Lewis and his assistant across England and Scotland, creating fourteen portraits that celebrate the bank’s most distinguished colleagues.
Acclaimed British portrait photographer Rory Lewis welcomed award-winning actor Tobias Menzies to his London studio for a cinematic portrait session that explored depth, vulnerability, and quiet strength.
On October 10, 2025, Rory Lewis welcomed Field Marshal The Lord Houghton of Richmond back to his London studio for a second portrait sitting, more than a decade after their first session in 2014. The portrait, part of Rory Lewis Non-Profit’s mission to document all living Field Marshals, captures Lord Houghton’s journey from active command to statesman. Commissioned into the Green Howards in 1974, Lord Houghton served in Northern Ireland, Iraq, and as Chief of the Defence Staff before being promoted to Field Marshal in 2025. The portrait, rendered in Lewis’s signature chiaroscuro style, reflects leadership, wisdom, and legacy.
In October 2025, I had the honor of photographing Major General James Bowder OBE, the third consecutive Major-General of the Household Division I have captured for the Rory Lewis Non-Profit. Following my portraits of Major General Benjamin Bathurst CBE and Major General Chris Ghika CBE, this latest sitting continues an evolving visual record of those entrusted with upholding the highest traditions of the British Army and the Crown.
Field Marshal David Julian Richards, Baron Richards of Herstmonceux, GCB, CBE, DSO, DL—appointed Honorary Field Marshal by His Majesty The King in June 2025—sat for my non-profit archive on Monday, 6 October 2025. This portrait marks a significant addition to our mission to document the living history of Britain’s senior military leadership through the art of portraiture.
In 2021, I had the privilege of photographing Major GeneralChris Ghika CBE at Horse Guards, London — a setting steeped in history, once occupied by the Duke of Wellington himself. The portrait sought to capture not just a military leader, but a custodian of national pageantry and heritage.
Our 2019 sitting with Major General Benjamin Bathurst CBE of the Welsh Guards took place at Horse Guards, London, within the historic office once occupied by the Duke of Wellington. Seated behind the very desk that once belonged to the “Iron Duke,” Bathurst joined a long line of leaders who have shaped the ceremonial face of Britain’s Armed Forces.
In 2018, I had the rare honour of photographing His Royal Highness, The Duke of Kent, in a portrait sitting that captured not only royal stature, but a lifetime of military service. Dressed in his ceremonial uniform as Field Marshal, His Royal Highness stood as a living symbol of dedication, discipline, and enduring legacy within the British Armed Forces.
One of the most meaningful opportunities through my non-profit archive has been the privilege of photographing senior figures within the British Armed Forces. Among these sittings, capturing a British Field Marshal stands as both an artistic milestone and a moment of profound historical significance.
Recent Collaborations
In this portrait of Ray Dalio, photographed in New York in 2022, I set out to capture one of the most defining transitions in modern finance — the moment a master of markets chose to rethink his own long-held beliefs.
Lloyds Banking Group commissioned a series of corporate portraits for display at their Gresham Street headquarters in London. Captured over a two-week period, the project took Rory Lewis and his assistant across England and Scotland, creating fourteen portraits that celebrate the bank’s most distinguished colleagues.
Projects
Across this series, I photograph actors and models adorned in the elegance of the 1930s, set against historically resonant backdrops. Each portrait becomes a temporal bridge — an echo of what might have been seen through the Chronovisoritself. Drawing influence from Frank Herbert, Caravaggio, David Lynch, Gustave Doré, and Ribera, I merge surrealism, chiaroscuro, and historical drama to craft scenes that feel both ancient and immediate, suspended between dream and memory.
Between 2016 and 2019, I dedicated over three years to this project, travelling the length and breadth of the United Kingdom — from Fort George in Inverness to the Yorkshire Dales, and then south to London, Andover, and Aldershot. Working closely with the Army, I conducted hundreds of sittings with its leaders, individuals, and regiments, capturing the essence of service through the faces of those who embody it.
Early in my career, like many photographers, I balanced a broad commercial workload — shooting everything from industrial products to aspiring actors — while yearning to focus on portraiture that was deeply human, expressive, and timeless. By my early thirties, I felt the urgency to define my artistic voice and create work that reflected who I truly was as a photographer. I knew that to attract the attention of editors, curators, and agents, I needed to produce a body of work entirely on my own terms — one that would both challenge and inspire.
The year 2025 marks a defining milestone in my career as a portraitist and in the mission of the Rory Lewis Non-Profit: the capture of four living British Field Marshals—an achievement unparalleled in contemporary photographic history. This body of work joins the organization’s latest acquisition, the Presentation Portrait of Field Marshal Sir Douglas Haig(1928), symbolically uniting the early twentieth-century imagery of command with its living successors nearly a century later.
In The Color of Money, Rory Lewis reimagines Ray Dalio as a modern-day Adam Smith — a philosopher of finance rendered in the tonal language of U.S. currency. The portrait’s subdued greenish hue evokes the moral and material weight of money, while its Caravaggio-inspired lighting captures Dalio suspended between shadow and illumination — intellect and introspection. Symbolizing a new era of economic thought, the image reflects Dalio’s 2022 reversal, “I no longer think cash is trash,” portraying him not merely as an investor, but as a thinker reshaping capitalism’s conscience. Blending fine art with corporate gravitas, the work positions Lewis at the intersection of aesthetic mastery and financial portraiture for the Fortune 500 age.
Rory Lewis Non-Profit presents a visual thesis uniting portraits of the last three Commanders of the Household Division — Lieutenant General Sir Ben Bathurst, Major General Sir Chris Ghika, and Major General James Bowder — each photographed at the historic Duke of Wellington’s desk inside Horse Guards, London.
In the Press
Thank you to BBC Corespondent Chris Long interviewing me about my Northerners Photography Exhibition. Speaking in particular about my sittings with Sir Patrick Stewart, Sir Ian McKellen, full transcript below.
Selected Awards & Acquisitions
We’re delighted to share that a portrait of acclaimed actor David Warner — known for his roles in Titanic, Time Bandits, and The Omen — captured by Rory Lewis Photographer, has been officially acquired by the National Portrait Gallery, London. Remarkably, this sitting marked David’s first portrait session since being photographed by Cecil Beaton in 1966.
In this newly unveiled portrait of former Prime Minister Tony Blair, portrait photographer Rory Lewis explores not the image of power but its human cost. Years after their first sitting, Lewis captures Blair with a softened expression yet undiminished intellect—an introspective study of conviction, consequence, and time.