For me, Soldiery was both a labour of passion and a journey of discovery. As a historian and lifelong admirer of the military, I found myself immersed in a living tapestry of identity and tradition. Each regiment felt like its own tribe — with distinct customs, uniforms, and values — and every soldier carried a story written in their eyes. From the Royal Lancers to the Household Cavalry, from the Gurkhas to the Parachute Regiment, I sought to capture not only their strength and discipline, but also their individuality and quiet dignity.
In each portrait, I wanted to reveal the human beneath the uniform. The fresh-faced recruit stands beside the seasoned veteran; you see the energy of youth and the gravity of experience. As I often say, “By looking into their eyes, you can read their stories — those ready for their first posting, and those who have lived through Iraq and Afghanistan.”
My approach to Soldiery was informed by my background in history and inspired by the great military painters such as George Dawe, who immortalised an entire generation of Russian generals. Accuracy and truth have been my guiding principles — capturing “every line, mark, and scar” that tells a life’s story.
In the end, Soldiery became more than an artistic endeavour — it became a living historical record of the British Army in the 21st century. I am deeply honoured that the collection has been acquired by the National Army Museum, ensuring that these portraits, and the stories of those they represent, will be preserved for future generations.
Our 2019 sitting with Major General Benjamin Bathurst CBE of the Welsh Guards took place at Horse Guards, London, within the historic office once occupied by the Duke of Wellington. Seated behind the very desk that once belonged to the “Iron Duke,” Bathurst joined a long line of leaders who have shaped the ceremonial face of Britain’s Armed Forces.