Ray Dalio Portrait Sitting Bridgewater Associates

New York, 2022 | Portrait by Rory Lewis

Ray Dalio Portrait Sitting (Rory Lewis Photographer 2022)

Ray Dalio Portrait Sitting (Rory Lewis Photographer 2022)

In this portrait of Ray Dalio, photographed in New York in 2022, I set out to capture one of the most defining transitions in modern finance — the moment a master of markets chose to rethink his own long-held beliefs.

Dalio, the billionaire investor, philanthropist, and founder of Bridgewater Associates, has for decades shaped the language and logic of global investing. Like Adam Smith before him — the 18th-century Scottish economist whose Wealth of Nations defined the moral and structural foundation of capitalism — Dalio views economics not merely as numbers and trends, but as a reflection of human nature itself.

That philosophical kinship guided this portrait. Its Caravaggio-inspired chiaroscuro, classical pose, and sculptural tonality echo the engraved likenesses of Adam Smith: deliberate, reflective, and rooted in moral gravity. Yet the lighting and tone are unmistakably contemporary — the subdued green-gold palette reminiscent of the color of money — symbolizing wealth, wisdom, and introspection.

Ray Dalio Portrait Sitting (Rory Lewis Photographer 2022)

In October 2022, at a pivotal moment in his career, Ray Dalio stepped down as Co-Chief Investment Officer of Bridgewater Associates. On that very day, he took to Twitter (now X) to make a statement that reverberated across global markets. Quoting John Maynard Keynes, who once said, “When the facts change, I change my mind. What do you do, sir?”, Dalio wrote:

“Along these lines, the facts have changed and I’ve changed my mind about cash as an asset: I no longer think cash is trash. At existing interest rates and with the Fed shrinking the balance sheet, it is now about neutral—neither a very good or very bad deal. In other words, the short-term interest rate is now about right.” — Ray Dalio, October 2022

It was a moment of intellectual candor rarely seen in modern finance — a public admission that even the world’s greatest investors must remain adaptable. In that instant, Dalio’s voice aligned with the timeless philosophy of Keynesian pragmatism and Smithian moral inquiry: the courage to question one’s own convictions in light of changing reality.

Bridging Centuries of Thought

The portrait embodies this evolution. It captures not the certainty of a man who mastered the markets, but the equilibrium of reflection — a face turned toward the light, neither triumphant nor defeated, but quietly balanced.
In composition and tone, Dalio stands as a modern Adam Smith, a philosopher of capital confronting the shifting forces of the 21st-century economy.

Through this image, I sought to preserve not only likeness, but legacy — the continuity of ideas that link three centuries of economic thought: Smith’s moral vision, Keynes’s pragmatism, and Dalio’s introspective realism.