Corporate Commission
It was a wonderful surprise to see my portraits of the late, great David Warner appear twice in the newly released Tron: Ares — once as a framed painting within a pivotal office scene, and again as part of an onscreen newscast montage. To witness Warner resurrected, recognised, and woven into the visual language of the film was deeply moving.
Read MoreThis autumn, Patek Philippe commissioned acclaimed portrait photographer Rory Lewis to capture a series of portraits during an exclusive VIP event at the Mandarin Oriental London, Mayfair.
Read MoreI was commissioned by The Free Press to photograph Usha Vance, the Second Lady of the United States. The session took place at her residence on Observatory Hill—a quiet morning where pale spring light slipped through bare branches and drifted softly across cream silk and wide-leg tailoring. The atmosphere carried both intimacy and a quiet sense of national importance.
Read MoreIn global finance, credibility is established long before the first conversation. Presence, composure, and clarity all play a role—and a portrait must quietly communicate all three. This was the guiding principle behind my recent executive portrait session with Alex Wall, Head of the US CLO Syndicate at BNP Paribas, photographed at my Midtown Manhattan studio.
Read MoreIn leadership roles—particularly within the creative industries—a portrait must do more than present polish. It must communicate authority, clarity of vision, and the confidence to lead. This was the guiding principle behind my recent portrait session with Italian director Georgia Tribuiani, whose work across Los Angeles, Paris, and Milan spans advertising, fashion, and visual storytelling at the highest level.
Read MoreI was honored to be commissioned to create the cover portrait for the forthcoming memoir of Lord Nicholas Monson a deeply personal work that reflects a life shaped by both privilege and profound loss. The memoir traces Monson’s childhood, inheritance, and the devastating tragedy of losing both of his sons, demanding a portrait that could hold emotional gravity without excess.
Read MoreIn the fast-moving world of finance, trust, clarity, and confidence shape every decision. For DoubleLine — one of the most respected independent, employee-owned investment firms in the United States — presenting a strong, authentic visual identity is essential. When the company sought portraits that reflected its leadership's precision, professionalism, and credibility, they turned to portrait photographer Rory Lewis.
Read MoreLuxury beauty house Make Up For Ever commissioned Rory Lewis to create a new series of executive and corporate portraits for its diverse New York–based team. The brief was clear: refined, timeless imagery that reflects both individual authority and collective identity at the highest corporate level.
Read MoreRory Lewis was honored to capture a formal portrait of Prince Michael of Kent in his role as Grand Master of the Grand Lodge of Mark Master Masons. Created on location at Kensington Palace, the sitting brought together history, symbolism, and contemporary portraiture within one of Britain’s most storied royal settings.
Read MoreLloyds Banking Group commissioned a series of corporate portraits for display at their Gresham Street headquarters in London. Captured over a two-week period, the project took Rory Lewis and his assistant across England and Scotland, creating fourteen portraits that celebrate the bank’s most distinguished colleagues.
Read MoreIn late 2020, 1st Battalion, Coldstream Guards commissioned Rory Lewis to create the visual campaign for their 2021 recruitment drive. The shoot took place at Victoria Barracks, Windsor, captured in the final weeks before national lockdown—an atmosphere that lent urgency and focus to the work.
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