Rory Lewis Photographer Headshots & Portraiture

There's a moment, going back through the frames from a sitting, where you can feel the difference between a photograph that merely records a face and one that holds the room. It is rarely a question of the camera. Almost always it comes down to two things: how the light falls, and how the person in front of you was directed in the seconds before the shutter.

There is a particular satisfaction in taking down a body of work you have looked at for too long and replacing it with something better. I have just done exactly that. The headshot portfolio has been rebuilt from the ground up — newer sittings, harder edits, a great deal that didn't make the cut. What's left is, I think, the strongest the studio has put out.

A brief return to Londonr a small number of private sittings — actor headshots, executive portraiture, and editorial commissions — held at the Farringdon studio. Four days only.

I'll be back at the Midtown Manhattan studio from Monday 25th to Sunday 31st May 2026 — seven days, one room, a short list of sittings, and what I suspect will be a faintly absurd amount of coffee. If you've been meaning to book a portrait, refresh a headshot, or sit down for a one-to-one workshop, this is the window.

On Saturday 23rd May 2026, from 10am to 3pm, I'll be running a one-day portrait workshop at the Downtown LA studio on Recreating Caravaggio. Five hours, two lights, professional models, and a small enough room that nobody can hide at the back. Tickets are $450, places are limited, and the date is closer than the calendar makes it look.

Across this series, I photograph actors and models adorned in the elegance of the 1930s, set against historically resonant backdrops. Each portrait becomes a temporal bridge — an echo of what might have been seen through the Chronovisoritself. Drawing influence from Frank Herbert, Caravaggio, David Lynch, Gustave Doré, and Ribera, I merge surrealism, chiaroscuro, and historical drama to craft scenes that feel both ancient and immediate, suspended between dream and memory.

Between 2014 and 2020, I had the immense privilege of photographing some of Los Angeles’ finest actors—artists whose work shaped my childhood in the 1980s and 90s, and whose performances continue to resonate across generations. Many of these remarkable individuals have since left us, which makes these sittings all the more meaningful.

Following the success of Soldiery (British Army Portraits), I sought to create a project equally powerful, human, and historically resonant. This pursuit led me to Soldati della Repubblica, a comprehensive portrait series documenting the modern Italian Army in the early 21st century.

Dopo il successo del progetto Soldiery (British Army Portraits), desideravo realizzare un’opera altrettanto intensa, umana e ricca di risonanza storica. Questa ricerca mi ha condotto a Soldati della Repubblica, una serie di ritratti che documenta l’Esercito Italiano all’inizio del XXI secolo.

Early in my career, like many photographers, I balanced a broad commercial workload — shooting everything from industrial products to aspiring actors — while yearning to focus on portraiture that was deeply human, expressive, and timeless. By my early thirties, I felt the urgency to define my artistic voice and create work that reflected who I truly was as a photographer. I knew that to attract the attention of editors, curators, and agents, I needed to produce a body of work entirely on my own terms — one that would both challenge and inspire.

There are few individuals who carry the weight of cultural history, charisma, and enduring presence quite like William Shatner. Today, we celebrate not only his birthday, but a remarkable creative journey—one I’ve had the privilege of documenting since 2014.

I have had the honour of photographing Prince Michael of Kent on several occasions over the years. Portrait sittings such as these are precisely why I became a photographer—to capture not only a likeness, but a moment within history.

Trusted by Britain’s Greatest Acting Talent — Why Go Anywhere Else?

In a city as competitive as London, actors do not rise on luck alone. They rise on clarity, presence, and precision — and nowhere is that more evident than in the headshot that opens the casting door.

For much of my life, British comedy has been a formative influence—not simply as entertainment, but as a lens through which human behaviour, discomfort, and contradiction are examined. Few creative forces shaped that understanding more profoundly than The League of Gentlemen. Its world of grotesque beauty, psychological unease, and pitch-black humour revealed that comedy could be as atmospheric and unsettling as it was funny—an approach that continues to inform my portrait practice today.

Commissioned executive portrait photography in Los Angeles for CEOs, board members, investors, and institutional leaders. Authority-driven, cinematic power portraits created for governance, press, and legacy use worldwide.

While revisiting my archive, I recently rediscovered a series of group portraits made in Rome in September 2018—photographs of the Reggimento Corazzieri, the elite cuirassiers of Italy and the ceremonial honour guard of the President of the Italian Republic.

Few military specialists operate with greater restraint—or greater consequence—than the sniper. Trained to observe without detection, to wait without movement, and to act with absolute precision, snipers exist on the margins of visibility. Their presence is rarely acknowledged, yet their influence is profound.

Political portraiture is uniquely challenging. Unlike actors or artists who often arrive ready to reveal themselves, political figures carry the weight of office, legacy, and scrutiny. Their public image is choreographed, their private selves carefully protected. To photograph them is to navigate a space where power, perception, and personality intersect, requiring not only technical mastery but also an ability to draw out the humanity beneath the role. Over the years, I have worked with some of the most influential figures in modern public life—Tony Blair, John Major, Theresa May, David Cameron, and more recently Usha Vance, the Second Lady of the United States. Each sitting has presented its own complexities and quiet revelations.

I am honoured to share that my portrait of Field Marshal The Lord Richards of Herstmonceux, GCB, CBE, DSO, DL, has been accepted into the Royal Collection, completing the thirteen works from my non-profit archive now held within that institution.

I am honoured to share that my portrait of Field Marshal The Lord Houghton of Richmond, GCB, CBE, DL, has been accepted into the Royal Collection — one of thirteen works from my non-profit archive now preserved within it, and among the most recent.

It is a moment of real significance for my non-profit archive that my portrait of Field Marshal The Lord Guthrie of Craigiebank has been accepted into the Royal Collection, among thirteen works from the archive now held within that institution. This was the first portrait of a British Field Marshal I ever made, and to see it enter the Royal Collection feels like the completion of a circle.

It is with great pride that I share that three further portraits of His Royal Highness The Duke of Kent — photographed in Royal Air Force uniform — have been accepted into the Royal Collection. They join the Field Marshal portraits as part of a body of thirteen works from my non-profit archive now preserved within that collection.

We are five months into 2026, and I can count the Heroes in Focus sittings I've done this year on one hand. That has to change — and soon, because the pace the archive needs is not the pace it is currently moving at. I want to be straight about that, because the work matters too much for me to dress it up.

This portrait, created as part of the ongoing work of the Rory Lewis Non-Profit, documents General Sir Roly Walker, the professional head of the British Army.

Commissioned into the Irish Guards in 1993, General Walker has commanded at company, battle group, brigade, and strategic levels, with operational service in Northern Ireland, Afghanistan, and Iraq. He commanded the Grenadier Guards in 2009 and later served across brigade, divisional, army, and strategic headquarters.

I am very pleased to be able to provide The Rifles Berkshire & Wiltshire Museum with a portrait of Captain Massey, from the 1st Battalion, The Rifles, for inclusion in their newly redeveloped galleries in Salisbury.

Through the Rory Lewis Non-Profit, I am dedicated to preserving the faces and stories of those whose courage defines our shared history. It was an honour to capture the portrait of Mike Pratt, GC, whose bravery and humility stand among the finest examples of service.

In October 2025, I had the honor of photographing Major General James Bowder OBE, the third consecutive Major-General of the Household Division I have captured for the Rory Lewis Non-Profit. Following my portraits of Major General Benjamin Bathurst CBE and Major General Chris Ghika CBE, this latest sitting continues an evolving visual record of those entrusted with upholding the highest traditions of the British Army and the Crown.

Field Marshal David Julian Richards, Baron Richards of Herstmonceux, GCB, CBE, DSO, DL—appointed Honorary Field Marshal by His Majesty The King in June 2025—sat for my non-profit archive on Monday, 6 October 2025. This portrait marks a significant addition to our mission to document the living history of Britain’s senior military leadership through the art of portraiture.

On October 7, 2023, Israel was plunged into chaos when Hamas launched a brutal surprise attack, leaving over a thousand civilians dead and the nation on the brink of war. Among the Americans closest to the events was Gunnery Sergeant Marcus Lewis, Commander of the Marine Security Guard Detachment at the U.S. Embassy in Jerusalem.

Among the most meaningful moments in my non-profit archive was the privilege of photographing Field Marshal Lord Guthrie of Craigiebank. It was not simply a portrait sitting, but an encounter with a man whose life spanned the defining military and political chapters of modern Britain.

In the heart of Downtown Los Angeles, I had the privilege of photographing Lieutenant Colonel Patrick Stauffer as part of my ongoing Heroes in Focus (Rory Lewis non-profit) military portrait initiative. This work exists to document service with dignity—creating lasting, museum-grade portraits that honour leadership, commitment, and the human story behind the uniform.

Portraiture, at its best, does more than record a likeness—it preserves leadership, responsibility, and history. In this portrait of General Sir James Everard, recently featured in The Telegraph, the aim was to convey not only authority, but the gravity of command carried by one of Britain’s most experienced senior officers.

My third visit to The Royal Lancers marked a significant moment in the continuing evolution of my long-term military portraiture work, now undertaken through my non-profit practice. Returning to the regiment in 2024 allowed for a deeper, more reflective engagement—building upon earlier sittings to create a cohesive body of work rooted in heritage, continuity, and service.

The Rory Lewis Non-Profit is proud to have funded the latest addition to the distinguished gallery of British Army leaders: a portrait of General Sir Patrick Sanders, KCB, CBE, DSO, ADC Gen. Serving as Chief of the General Staff since June 2022, Sir Patrick’s career exemplifies the leadership, dedication, and strategic excellence that define the modern British Army.

The Soldiery project by Rory Lewis now forms part of the permanent collection of the National Army Museum in London. This landmark acquisition underscores the project’s historical, cultural, and educational importance, and stands at the heart of the mission of the Rory Lewis Non-Profit: to preserve military heritage through museum-grade portraiture for future generations.

The Rory Lewis Non-Profit is honored to have captured and preserved the legacy of Admiral Sir Tony Radakin, the current Chief of the Defence Staff, marking him as the fifth Chief of the Defence Staff photographed by Rory Lewis. This portrait continues the Non-Profit’s mission to document and celebrate the leadership and service of Britain’s most distinguished military figures.

Rory Lewis Non Profit is proud to donate a series of portraits to The Rifles Museum in Winchester. Located within the historic Winchester Military Quarter, the museum offers a compelling insight into the heritage and evolution of the British Army’s largest infantry regiment.

In 2022, Rory Lewis Non-Profit was honoured to record a formal portrait of General Sir Mark Carleton-Smith, KCB, CBE, undertaken in London during his tenure as Chief of the General Staff. The commission was created for permanent display within the gallery of former Chiefs—an historic lineage marking the stewardship of the British Army’s senior leadership.