The lighting stayed close to my usual language. Low key, shadow forward, a single dominant source modelling the face so the beard and the lines around the eyes do the work. The olive and charcoal grounds keep everything quiet and let the expression lead, while the lighter grey on the leather frames gives the headshots a cleaner, more commercial finish for the casting end of the set.
Elvis brought range and patience to the chair and moved between registers without fuss. We made some amazing shots together, and it was a real pleasure throughout. An afternoon well spent.