H.M King Abdullah II of Jordan Portrait Sitting
Rory Lewis
Yesterday, Andy Burnham accepted the invitation of King Charles III to form a government, and became Prime Minister of the United Kingdom. Speaking outside Number 10 — no lectern, standing freely in the street in that unmistakably direct Northern manner — he promised a "circuit breaker for Britain." My warmest congratulations to him. It is a remarkable moment for the country, and, I confess, a quietly extraordinary one for me.
Read MoreJoin award-winning photographer Rory Lewis for an immersive photography workshop on lighting and direction techniques.
Lighting techniques for headshots and portraiture
How to direct your subjects for natural, compelling shots
Tips to enhance your photography portfolio
This workshop is perfect for photographers of all levels, from beginners to seasoned professionals. Rory's engaging teaching style ensures you'll gain practical skills and knowledge that will elevate your portrait photography to the next level.
Read MoreRory Lewis Photographer here, with some splendid news from the casting desks of Hollywood. My warmest congratulations to the wonderful Rosanny Zayas, who has officially joined the recurring cast of HBO Max's acclaimed medical drama The Pitt for its third season. Rosanny will play Physician Assistant Vera Delgado, scrubbing in alongside Noah Wyle and company at the Pittsburgh Trauma Medical Center when the new season arrives in January 2027.
Read MoreThe stage actor's face, and what a camera asks of it
There is a particular ease to photographing an actor who has spent real time on a stage. The instrument is already tuned. Francis Price came to the Main Street studio with exactly that — a classically trained presence that knows how to hold stillness without going dead behind the eyes, which is the whole quiet art of a good headshot.
Read MoreThere's a particular kind of session that arrives when an actor steps back into the room after time away. The face is the same. The man behind it isn't — and the work, if it's any good, has to hold both.
Brian Kolb came to the Main Street studio to mark exactly that: a return to acting after a break, and the new narrative that comes with it. The brief was not one look, but range — the proof a casting director needs that a man can be cast in more than a single drawer. So we built six, and we built them to argue with each other.
Read MoreSpent an afternoon at the Downtown studio with actor Elvis Winterbottom, in for a set of headshots built to carry across casting briefs. We talked a great deal between setups, and he turned out to be genuinely interesting company, the kind of sitter who makes the hours run away from you. We worked through a deliberate range of looks: a plain dark tee and mock neck for the stripped-back theatrical frames, a navy waffle knit, a tailored blazer over a soft blue shirt for the producer and executive read, and a weathered leather jacket for something with more grit. One man, several characters, which is exactly what a working actor needs the camera to hold.
Read MoreAndy Burnham, sworn in only today as the new Member of Parliament for Makerfield, confirmed he would stand. Wes Streeting, the one figure thought capable of mounting a challenge, set aside his own ambitions and offered his backing instead. The party has rallied. If no rival emerges when nominations open on 9 July, Burnham could enter Downing Street within weeks. For now he is not Prime Minister, but he has been practically crowned as one.
Read MoreI had the privilege this week of photographing Babs Olusanmokun in my London studio, and as I worked I found myself thinking, not for the first time, about how often I get to say that word — privilege — about the Black actors who find their way to my chair.
Read MoreThere is a particular quiet that settles over a portrait sitting when the subject is, by trade, a maker of sound. The performer who fills a room — who has stood in front of seventeen thousand people at the Coca-Cola Arena and held them — arrives in my studio and discovers that the only instrument I am asking him to play is his own stillness. Nick Pritchard understood this faster than most.
Read MoreThere's a moment, going back through the frames from a sitting, where you can feel the difference between a photograph that merely records a face and one that holds the room. It is rarely a question of the camera. Almost always it comes down to two things: how the light falls, and how the person in front of you was directed in the seconds before the shutter.
Read MoreMost of the best things that happen in this trade arrive sideways, by way of a handshake you weren't expecting. This was one of those.
I had been asked to speak at Samy's, here in Los Angeles, on the subject of Godox lighting — a perfectly cheerful evening of light shaping and the usual debates about modifiers, where two photographers can disagree for an hour and both be right. When it was over a gentleman came up, introduced himself, and put a card in my hand. Edward Goldstein. He mentioned, almost in passing, that he did some modelling.
Read MoreThere's a particular kind of luck in photographing someone you know completely. With Sasha I've now made more portraits than of any other subject I've ever worked with, and these latest frames from the LA studio are some of the ones I keep returning to. The cropped platinum hair, the stacked silver ear pieces, the Adidas track top with its three stripes — there's an austere, almost sculptural confidence to her here that the lighting was built to serve rather than soften.
Read MoreThese are recent Los Angeles actor headshots, photographed last week in my Downtown LA studio. Kadu is an imposing presence and a genuinely talented actor — the kind of subject who makes the room go a little quieter the moment he settles in front of the camera.
Read MoreI'll be back at the Midtown Manhattan studio from Monday 25th to Sunday 31st May 2026 — seven days, one room, a short list of sittings, and what I suspect will be a faintly absurd amount of coffee. If you've been meaning to book a portrait, refresh a headshot, or sit down for a one-to-one workshop, this is the window.
Read MoreOn Saturday 23rd May 2026, from 10am to 3pm, I'll be running a one-day portrait workshop at the Downtown LA studio on Recreating Caravaggio. Five hours, two lights, professional models, and a small enough room that nobody can hide at the back. Tickets are $450, places are limited, and the date is closer than the calendar makes it look.
Read MoreAlex Blake came back to the studio recently for an update to his headshots — the kind of return visit that punctuates most working actors' careers every two or three years, when the credits have grown, the face has settled into something a little more itself, and the agent has started asking gently whether the current image is still doing the work it ought to. Alex's was, mostly. But "mostly" is the word that brings actors back.
Read MorePortraits of Babs Olusanmokun, London | Rory Lewis
Portrait photographer Rory Lewis on capturing actor Babs Olusanmokun (Dune, Star Trek: Strange New Worlds) at his London studio — five years in the making.
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