low key lighting
I had the privilege this week of photographing Babs Olusanmokun in my London studio, and as I worked I found myself thinking, not for the first time, about how often I get to say that word — privilege — about the Black actors who find their way to my chair.
Read MoreThere is a particular quiet that settles over a portrait sitting when the subject is, by trade, a maker of sound. The performer who fills a room — who has stood in front of seventeen thousand people at the Coca-Cola Arena and held them — arrives in my studio and discovers that the only instrument I am asking him to play is his own stillness. Nick Pritchard understood this faster than most.
Read MoreThere's a particular kind of luck in photographing someone you know completely. With Sasha I've now made more portraits than of any other subject I've ever worked with, and these latest frames from the LA studio are some of the ones I keep returning to. The cropped platinum hair, the stacked silver ear pieces, the Adidas track top with its three stripes — there's an austere, almost sculptural confidence to her here that the lighting was built to serve rather than soften.
Read MoreOn Saturday 23rd May 2026, from 10am to 3pm, I'll be running a one-day portrait workshop at the Downtown LA studio on Recreating Caravaggio. Five hours, two lights, professional models, and a small enough room that nobody can hide at the back. Tickets are $450, places are limited, and the date is closer than the calendar makes it look.
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