Caravaggio lighting
I had the privilege this week of photographing Babs Olusanmokun in my London studio, and as I worked I found myself thinking, not for the first time, about how often I get to say that word — privilege — about the Black actors who find their way to my chair.
Read MoreThere is a particular quiet that settles over a portrait sitting when the subject is, by trade, a maker of sound. The performer who fills a room — who has stood in front of seventeen thousand people at the Coca-Cola Arena and held them — arrives in my studio and discovers that the only instrument I am asking him to play is his own stillness. Nick Pritchard understood this faster than most.
Read MoreThere's a moment, going back through the frames from a sitting, where you can feel the difference between a photograph that merely records a face and one that holds the room. It is rarely a question of the camera. Almost always it comes down to two things: how the light falls, and how the person in front of you was directed in the seconds before the shutter.
Read MoreThere is a particular satisfaction in taking down a body of work you have looked at for too long and replacing it with something better. I have just done exactly that. The headshot portfolio has been rebuilt from the ground up — newer sittings, harder edits, a great deal that didn't make the cut. What's left is, I think, the strongest the studio has put out.
Read MoreI'll be back at the Midtown Manhattan studio from Monday 25th to Sunday 31st May 2026 — seven days, one room, a short list of sittings, and what I suspect will be a faintly absurd amount of coffee. If you've been meaning to book a portrait, refresh a headshot, or sit down for a one-to-one workshop, this is the window.
Read MorePortraits of Babs Olusanmokun, London | Rory Lewis
Portrait photographer Rory Lewis on capturing actor Babs Olusanmokun (Dune, Star Trek: Strange New Worlds) at his London studio — five years in the making.
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