Rory Lewis Studio

Chauncey Alan: A Lean and Hungry Look

Chauncey Alan: A Lean and Hungry Look

A return sitting at the Downtown Los Angeles studio, and the case for every actor owning a villain.

Chauncey Alan has played Caesar. This time he came back to the Los Angeles studio wanting to be Cassius.

Not literally, but the brief was close. Chauncey needed a villainous headshot for his castings: one image that tells a casting director, in the half-second a thumbnail gets, that he can be trusted with the man nobody should trust. Shakespeare gave Caesar the line that describes exactly what we were after: “Yond Cassius has a lean and hungry look; / He thinks too much: such men are dangerous.”

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Devin McElvogue: A Headshot in Copper and Grey

Devin McElvogue: A Headshot in Copper and Grey

Some faces arrive at the studio already halfway to a painting. Devin McElvogue walked into the Downtown Los Angeles studio with a head of tight copper curls, a red beard, and a pair of hazel eyes that, under the right light, turn almost amber. A gift for a portrait photographer, but also a responsibility: when a sitter’s colouring is this distinctive, the headshot has to render it truthfully. Casting directors are not booking an idea of a redhead. They are booking Devin.

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Clancy Brown at the Table

Clancy Brown at the Table

Last week Clancy Brown came to the Downtown Los Angeles studio, and I finally had the chance to build a picture I have been carrying around in my head for some time: a man at a table, with bread and wine and fruit in front of him, lit the way the Old Masters lit their suppers.

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Actor Headshots in New York: A Sitting with Michael DelaFlor

Actor Headshots in New York: A Sitting with Michael DelaFlor

There is a particular kind of face the camera waits for. Not the arranged one, not the face that performs readiness the moment a lens appears, but the one that carries a thought behind the eyes and lets you watch it move. Michael DelaFlor brought exactly that into my New York studio, and it made the work a pleasure.

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Francis Price at the Downtown LA Studio

Francis Price at the Downtown LA Studio

The stage actor's face, and what a camera asks of it

There is a particular ease to photographing an actor who has spent real time on a stage. The instrument is already tuned. Francis Price came to the Main Street studio with exactly that — a classically trained presence that knows how to hold stillness without going dead behind the eyes, which is the whole quiet art of a good headshot.

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Los Angeles Actors Headshots Brian Kolb

Los Angeles Actors Headshots Brian Kolb

There's a particular kind of session that arrives when an actor steps back into the room after time away. The face is the same. The man behind it isn't — and the work, if it's any good, has to hold both.

Brian Kolb came to the Main Street studio to mark exactly that: a return to acting after a break, and the new narrative that comes with it. The brief was not one look, but range — the proof a casting director needs that a man can be cast in more than a single drawer. So we built six, and we built them to argue with each other.

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New Work, and a Few Doors Open in Los Angeles

New Work, and a Few Doors Open in Los Angeles

There is a particular satisfaction in taking down a body of work you have looked at for too long and replacing it with something better. I have just done exactly that. The headshot portfolio has been rebuilt from the ground up — newer sittings, harder edits, a great deal that didn't make the cut. What's left is, I think, the strongest the studio has put out.

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