Portraits

Jared Harris in The Wall Street Journal

Jared Harris in The Wall Street Journal

Last week The Wall Street Journal published Marc Myers' House Call interview with Jared Harris, and the portrait that opens the piece is one of mine.

The sitting took place at my London studio. Harris was filming at the time, and he set the production aside for a day so that he could sit. That is not a small thing. A filming day is an expensive, jealously guarded commodity, and an actor who gives one up for a portrait is telling you something about the seriousness with which he regards the record of his own face.

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Photographing the cover of Things I Took from the Dark

Photographing the cover of Things I Took from the Dark

Last October — a full year before the book would reach the shelves — he came to my Farringdon studio to sit for the cover of Things I Took from the Dark: The Museum of Me, his illustrated memoir, published by Quercus on 8 October. For thirty years — from The League of Gentlemen through Psychoville to Inside No. 9, which brought him and Steve Pemberton a BAFTA for its final series — Shearsmith has been British television's most reliable custodian of the uncanny. The book explains why.

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New York, 9–13 August: Actor Headshots and Corporate Portraits in Midtown Manhattan

New York, 9–13 August: Actor Headshots and Corporate Portraits in Midtown Manhattan

I return to New York this August. From Saturday 9 to Wednesday 13 August, my studio at 580 8th Avenue — twenty floors above the Garment District, a few minutes' walk from Times Square and the theatre houses — will be open for actor headshots, portrait sittings, and corporate headshots.

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Elvis Winterbottom Actor headshots at the Los Angeles studio

Elvis Winterbottom Actor headshots at the Los Angeles studio

Spent an afternoon at the Downtown studio with actor Elvis Winterbottom, in for a set of headshots built to carry across casting briefs. We talked a great deal between setups, and he turned out to be genuinely interesting company, the kind of sitter who makes the hours run away from you. We worked through a deliberate range of looks: a plain dark tee and mock neck for the stripped-back theatrical frames, a navy waffle knit, a tailored blazer over a soft blue shirt for the producer and executive read, and a weathered leather jacket for something with more grit. One man, several characters, which is exactly what a working actor needs the camera to hold.

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I photographed Britain's next Prime Minister Andy Burnham

I photographed Britain's next Prime Minister Andy Burnham

Andy Burnham, sworn in only today as the new Member of Parliament for Makerfield, confirmed he would stand. Wes Streeting, the one figure thought capable of mounting a challenge, set aside his own ambitions and offered his backing instead. The party has rallied. If no rival emerges when nominations open on 9 July, Burnham could enter Downing Street within weeks. For now he is not Prime Minister, but he has been practically crowned as one.

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An Olive-Wood Cross and the Studio Skull

An Olive-Wood Cross and the Studio Skull

Most of the best things that happen in this trade arrive sideways, by way of a handshake you weren't expecting. This was one of those.

I had been asked to speak at Samy's, here in Los Angeles, on the subject of Godox lighting — a perfectly cheerful evening of light shaping and the usual debates about modifiers, where two photographers can disagree for an hour and both be right. When it was over a gentleman came up, introduced himself, and put a card in my hand. Edward Goldstein. He mentioned, almost in passing, that he did some modelling.

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