There's a particular kind of session that arrives when an actor steps back into the room after time away. The face is the same. The man behind it isn't — and the work, if it's any good, has to hold both.

Brian Kolb came to the Main Street studio to mark exactly that: a return to acting after a break, and the new narrative that comes with it. The brief was not one look, but range — the proof a casting director needs that a man can be cast in more than a single drawer. So we built six, and we built them to argue with each other.