fine art headshots
There is a particular quiet that settles over a portrait sitting when the subject is, by trade, a maker of sound. The performer who fills a room — who has stood in front of seventeen thousand people at the Coca-Cola Arena and held them — arrives in my studio and discovers that the only instrument I am asking him to play is his own stillness. Nick Pritchard understood this faster than most.
Read MoreThere are sitters who arrive carrying their work in their face before they've said a word, and Carlo Mendez is one of them. He came into the Main Street studio on a bright Downtown morning, and within a few minutes it was clear this was a man entirely at ease in front of a lens — which, for a photographer, is both a gift and a quiet challenge. Ease can flatten a portrait if you let it. The task becomes finding the moment underneath the comfort.
Read MoreAlex Blake came back to the studio recently for an update to his headshots — the kind of return visit that punctuates most working actors' careers every two or three years, when the credits have grown, the face has settled into something a little more itself, and the agent has started asking gently whether the current image is still doing the work it ought to. Alex's was, mostly. But "mostly" is the word that brings actors back.
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