New York headshots and portraits, 17 and 18 September 2026

I am back in New York on Thursday 17 and Friday 18 September, working out of Young Studio at 580 8th Avenue, on the twentieth floor. Two days of sittings in Midtown.

New York headshots and portraits, 17 and 18 September 2026 (Rory Lewis Maye Musk New York 2026)

I have photographed in this city since 2014, and the pattern is always the same. Actors come in the morning with two changes of clothing and a casting they are preparing for. Executives come at lunchtime, having walked over from an office a few blocks away. In the late afternoon somebody arrives who wants a portrait rather than a headshot, and those are often the sittings I remember longest.

The light

The whole method, and it has not changed in twenty-five years. The reason is historical rather than technical. Holbein, Titian, Caravaggio, Rembrandt and Lawrence all worked with a single window or a single lamp, and they understood that shadow is not an absence but a structure. A face lit from one side has a geometry to it. A face lit from four sides has none, which is why the standard corporate headshot — evenly lit, white background, everybody identical — tells you nothing about the person in it.

My backgrounds are dark. My shadows are deep and I leave them alone. The work sits in the permanent collection of the National Portrait Gallery in London and in the Royal Collection, and it looks the same in a casting director's inbox as it does on a gallery wall, because I do not make two kinds of picture.

Who these two days are for

Actors. Theatrical and commercial looks, shot to work as thumbnails on Casting Networks and Actors Access while still holding up printed at ten by eight. New York casting has its own visual grammar and I have shot enough of it now to know what a New York agent wants to see and what will get an actor passed over.

Executives and professionals. Founders, partners, fund principals, board members. I photograph people who are photographed rarely and who dislike being photographed, and the sitting is built around that. Ray Dalio sat for me. Five British Prime Ministers have sat for me, including Tony Blair and Theresa May, along with Field Marshals of the British Army, His Majesty The King of Jordan, and HRH The Duke of Kent. A managing partner who is nervous about a leadership page is not a difficult sitter by comparison.

Authors, musicians, and anyone commissioning a portrait proper. Sir Ian McKellen, Sir Patrick Stewart and Dame Judi Dench have all sat under the same single light. If you want a photograph that belongs on a wall rather than a website, this is the sitting to book.

What a sitting involves

You arrive, we talk for a few minutes, and then we start. I direct throughout. Nobody is left standing in front of a camera wondering what to do with their hands, and I do not use the word "natural" as an instruction because it has never helped anybody.

Sessions run between forty-five minutes and two hours depending on the tier booked. You review the take with me on the screen before you leave and we agree the selects together. Retouching is done to the standard the tier carries, and the finished files come back by email.

Read the clothing guide before you come: www.rorylewis.studio/clothing. It is the single thing that most improves a sitting, and it takes five minutes.

Getting to 580 8th Avenue

The studio is on the twentieth floor at 580 8th Avenue, between 38th and 39th Streets, in the Garment District.

Subway. A, C or E to 42nd Street–Port Authority, or to 34th Street–Penn Station. Times Square–42nd Street works as an alternative and is a five-minute walk.

Driving. Emerald Green Garage at 320 West 38th Street and Icon Parking at 143 West 40th Street are both close. Book ahead through SpotHero; Midtown rates on the day are punitive.

Allow more time than you think. If you are early, there is coffee everywhere on 8th Avenue and it is better to sit with one for ten minutes than to arrive at a sitting out of breath.

Booking

Both days are filling. Slots are released in order of enquiry and I do not hold times without a deposit.

Email AL@rorylewis.studio or use www.rorylewis.studio/contact, and tell me which day suits you, whether you want a headshot or a portrait, and what the pictures are for. That last question matters more than the other two.