The first is theatrical. New York actors carry themselves differently from Los Angeles actors — there is stage in the posture, and a willingness to be looked at properly rather than prettily. That suits how I light. One dominant source, deep shadow, and a face that has to hold its own ground. Casting directors on both coasts respond to it because it looks like a still from something rather than a photograph of somebody.
Last week, I had the pleasure of working with Selene Kronen, a young actress making waves in the entertainment world. Our headshot session took place at my New York studio, where we aimed to capture the authentic essence of her dynamic talent.
