Thesis

The Continuum of Command — Capturing Britain’s Field Marshals

in ,
The Continuum of Command — Capturing Britain’s Field Marshals

The year 2025 marks a defining milestone in my career as a portraitist and in the mission of the Rory Lewis Non-Profit: the capture of four living British Field Marshals—an achievement unparalleled in contemporary photographic history. This body of work joins the organization’s latest acquisition, the Presentation Portrait of Field Marshal Sir Douglas Haig(1928), symbolically uniting the early twentieth-century imagery of command with its living successors nearly a century later.

Read More

The Color of Money — Ray Dalio as the New Adam Smith

in
The Color of Money — Ray Dalio as the New Adam Smith

In The Color of Money, Rory Lewis reimagines Ray Dalio as a modern-day Adam Smith — a philosopher of finance rendered in the tonal language of U.S. currency. The portrait’s subdued greenish hue evokes the moral and material weight of money, while its Caravaggio-inspired lighting captures Dalio suspended between shadow and illumination — intellect and introspection. Symbolizing a new era of economic thought, the image reflects Dalio’s 2022 reversal, “I no longer think cash is trash,” portraying him not merely as an investor, but as a thinker reshaping capitalism’s conscience. Blending fine art with corporate gravitas, the work positions Lewis at the intersection of aesthetic mastery and financial portraiture for the Fortune 500 age.

Read More

At the Duke’s Desk: A Living Tradition of Command

in ,
At the Duke’s Desk: A Living Tradition of Command

Rory Lewis Non-Profit presents a visual thesis uniting portraits of the last three Commanders of the Household Division — Lieutenant General Sir Ben Bathurst, Major General Sir Chris Ghika, and Major General James Bowder — each photographed at the historic Duke of Wellington’s desk inside Horse Guards, London.

Read More