Choosing your outfit for your actors headshot photography session can make a big impact on the way the photos turn out, and you want to make sure to select clothing that will be comfortable and attractive at the same time. The goal with the headshot is to make you appear confident, talented and emphasise your face and your eyes instead of the clothing. Celebrity Headshot photographer Rory Lewis offers tips and advice for What to Wear for Your Actors Headshots Session.
Last week The Wall Street Journal published Marc Myers' House Call interview with Jared Harris, and the portrait that opens the piece is one of mine.
The sitting took place at my London studio. Harris was filming at the time, and he set the production aside for a day so that he could sit. That is not a small thing. A filming day is an expensive, jealously guarded commodity, and an actor who gives one up for a portrait is telling you something about the seriousness with which he regards the record of his own face.
My portraits are held in the permanent collection of the National Portrait Gallery, London, and in the Royal Collection. I have photographed Sir Ian McKellen, Sir Patrick Stewart and Dame Judi Dench, along with five British Prime Ministers, Tony Blair and Theresa May among them, and I am a four-time winner of Portrait of Britain. What I teach at Samy's is exactly what I practise in those sittings. Nothing is simplified and nothing is held back.
Last October β a full year before the book would reach the shelves β he came to my Farringdon studio to sit for the cover of Things I Took from the Dark: The Museum of Me, his illustrated memoir, published by Quercus on 8 October. For thirty years β from The League of Gentlemen through Psychoville to Inside No. 9, which brought him and Steve Pemberton a BAFTA for its final series β Shearsmith has been British television's most reliable custodian of the uncanny. The book explains why.
There is a particular pleasure in photographing an actor who has spent time in the eighteenth century. Tom Connolly leads the feature film Love, Courage and the Battle of Bushy Run as Colonel Henry Bouquet, the Swiss-born British Army officer whose victory at Bushy Run opened the road to the relief of Fort Pitt. The battle was fought, as it happens, in the first week of August, two hundred and sixty-three years ago this month.
On Saturday 19 September I am teaching a one-day portrait masterclass in New York, at Young Studio on 8th Avenue. It runs from ten in the morning until four in the afternoon, models and lighting are provided, and you need bring nothing but a camera and a short lens.
14 August β 17 September 2026 Β· 411 S Main Street, Unit 222, Downtown Los Angeles
My Los Angeles diary is open from 14 August to 17 September, and I am now taking bookings for headshot sessions, commissioned portrait sittings, and private tuition. After 17 September I return to London and New York, and these are the last extended Los Angeles dates before the autumn.
There is a particular kind of face the camera waits for. Not the arranged one, not the face that performs readiness the moment a lens appears, but the one that carries a thought behind the eyes and lets you watch it move. Michael DelaFlor brought exactly that into my New York studio, and it made the work a pleasure.
On Friday 11 September 2026 I am opening the Downtown Los Angeles studio for a single day of thirty-minute headshot update sessions. Each one gives you two looks and one retouched image, and it is the only date this year I will offer them.