Rory Lewis is a British portrait photographer renowned for his distinctive, Caravaggio-inspired use of light and form. Based in Los Angeles, and also working across New York and London, he has photographed an extraordinary range of subjects—from Hollywood icons and world leaders to distinguished military figures. His portraits, celebrated for their narrative intensity and painterly depth, are part of the National Portrait Gallery’s permanent collection and have been exhibited internationally.
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Recent Sittings
It was an absolute pleasure to photograph Ben Miles, whose remarkable career spans stage, film, and television. From his breakout role in the BBC comedy Coupling to his nuanced portrayal of Peter Townsend in The Crown and most recently as Tay Kolma in Andor, Ben has long stood as one of Britain’s most versatile actors.
This autumn, Patek Philippe commissioned acclaimed portrait photographer Rory Lewis to capture a series of portraits during an exclusive VIP event at the Mandarin Oriental London, Mayfair.
For years, I’ve held an ambition close to my creative heart: to photograph the extraordinary quartet behind The League of Gentlemen. Mark Gatiss, Steve Pemberton, Reece Shearsmith, and Jeremy Dyson forged a world of pitch-black humour, grotesque beauty, and unforgettable characters. As a teenager, their work opened a doorway to the kind of atmospheric, stylised storytelling that still influences my portraiture today.
William Shatner is a name that needs little introduction. To most of the world, he will forever be Captain James T. Kirk—bold, charismatic, impossible to ignore. Yet behind the legend is a man of immense curiosity, wit, and surprising passions, among them a deep devotion to horses. It is this quiet, personal side of Shatner that inspired our latest portrait together.
My portrait session with Andy Serkis is one of the latest additions to my ongoing project Selah. The series draws on the mood and dramatic lighting of the Old Masters, especially the tenebrism of Caravaggio and Ribera. For Andy’s sitting, I wanted to create a moment of quiet reflection—something raw, intimate, and rooted in a sense of personal pilgrimage.
At my New York studio, I had the distinct honor of photographing Maye Musk in a portrait inspired by the timeless techniques of the Old Masters — Rembrandt, Caravaggio, Titian, and Ribera. The session sought to channel the chiaroscuro light and emotional intensity of classical portraiture while celebrating Maye’s modern grace and intellectual depth.
Throughout my career, I have been commissioned to photograph a wide range of political figures — from local councillors and Members of Parliament to peers of the House of Lords and former Prime Ministers. Yet this sitting was particularly meaningful, offering a chance to create work within one of the most iconic settings in British public life.
Lloyds Banking Group commissioned a series of corporate portraits for display at their Gresham Street headquarters in London. Captured over a two-week period, the project took Rory Lewis and his assistant across England and Scotland, creating fourteen portraits that celebrate the bank’s most distinguished colleagues.
Acclaimed British portrait photographer Rory Lewis welcomed award-winning actor Tobias Menzies to his London studio for a cinematic portrait session that explored depth, vulnerability, and quiet strength.
Thank you to BBC Corespondent Chris Long interviewing me about my Northerners Photography Exhibition. Speaking in particular about my sittings with Sir Patrick Stewart, Sir Ian McKellen, full transcript below.
We’re delighted to share that a portrait of acclaimed actor David Warner — known for his roles in Titanic, Time Bandits, and The Omen — captured by Rory Lewis Photographer, has been officially acquired by the National Portrait Gallery, London. Remarkably, this sitting marked David’s first portrait session since being photographed by Cecil Beaton in 1966.
For decades, Warner had famously declined professional portrait sittings, the last of which was with the legendary Cecil Beaton in 1965 when he was just twenty-four. By the time I approached him for my Northerners portrait series, he was seventy-two — a master actor whose presence had only deepened with time.
The Royal Artillery Museum has acquired a portrait of Field Marshal The Lord Richards of Herstmonceux, photographed by Rory Lewis as part of his non-profit military portraiture project. Lord Richards, the twelfth Gunner to reach the rank of Field Marshal and former Chief of the Defence Staff (2009–2013), was recently appointed Patron of the Royal Artillery Museum.
A significant milestone in the ongoing mission to preserve military heritage — The Green Howards Museum has officially acquired Rory Lewis’s portrait of Field Marshal The Lord Houghton of Richmond.
On October 10, 2025, Rory Lewis welcomed Field Marshal The Lord Houghton of Richmond back to his London studio for a second portrait sitting, more than a decade after their first session in 2014. The portrait, part of Rory Lewis Non-Profit’s mission to document all living Field Marshals, captures Lord Houghton’s journey from active command to statesman. Commissioned into the Green Howards in 1974, Lord Houghton served in Northern Ireland, Iraq, and as Chief of the Defence Staff before being promoted to Field Marshal in 2025. The portrait, rendered in Lewis’s signature chiaroscuro style, reflects leadership, wisdom, and legacy.
Recent Collaborations
This autumn, Patek Philippe commissioned acclaimed portrait photographer Rory Lewis to capture a series of portraits during an exclusive VIP event at the Mandarin Oriental London, Mayfair.
In this portrait of Ray Dalio, photographed in New York in 2022, I set out to capture one of the most defining transitions in modern finance — the moment a master of markets chose to rethink his own long-held beliefs.
Lloyds Banking Group commissioned a series of corporate portraits for display at their Gresham Street headquarters in London. Captured over a two-week period, the project took Rory Lewis and his assistant across England and Scotland, creating fourteen portraits that celebrate the bank’s most distinguished colleagues.
Projects
Across this series, I photograph actors and models adorned in the elegance of the 1930s, set against historically resonant backdrops. Each portrait becomes a temporal bridge — an echo of what might have been seen through the Chronovisoritself. Drawing influence from Frank Herbert, Caravaggio, David Lynch, Gustave Doré, and Ribera, I merge surrealism, chiaroscuro, and historical drama to craft scenes that feel both ancient and immediate, suspended between dream and memory.
It’s not unusual for photographers to draw inspiration from other forms of art. In my own work, the influence of Renaissance Italy is unmistakable. Inspired by Old Masters such as Rembrandt, Caravaggio, Titian, and Ribera, I’ve long sought to recreate the light, atmosphere, and tonal depth found in classical painting. This approach is especially evident in my latest project, Selah.
Britannia is an ambitious, ongoing portrait series celebrating the unique heritage, identity, and diversity of modern Britain. The project seeks to honour the individuals who shape the nation—capturing the faces, stories, and spirit of those whose contributions define contemporary British life.
Between 2016 and 2019, I dedicated over three years to this project, travelling the length and breadth of the United Kingdom — from Fort George in Inverness to the Yorkshire Dales, and then south to London, Andover, and Aldershot. Working closely with the Army, I conducted hundreds of sittings with its leaders, individuals, and regiments, capturing the essence of service through the faces of those who embody it.
Early in my career, like many photographers, I balanced a broad commercial workload — shooting everything from industrial products to aspiring actors — while yearning to focus on portraiture that was deeply human, expressive, and timeless. By my early thirties, I felt the urgency to define my artistic voice and create work that reflected who I truly was as a photographer. I knew that to attract the attention of editors, curators, and agents, I needed to produce a body of work entirely on my own terms — one that would both challenge and inspire.
The year 2025 marks a defining milestone in my career as a portraitist and in the mission of the Rory Lewis Non-Profit: the capture of four living British Field Marshals—an achievement unparalleled in contemporary photographic history. This body of work joins the organization’s latest acquisition, the Presentation Portrait of Field Marshal Sir Douglas Haig(1928), symbolically uniting the early twentieth-century imagery of command with its living successors nearly a century later.
In The Color of Money, Rory Lewis reimagines Ray Dalio as a modern-day Adam Smith — a philosopher of finance rendered in the tonal language of U.S. currency. The portrait’s subdued greenish hue evokes the moral and material weight of money, while its Caravaggio-inspired lighting captures Dalio suspended between shadow and illumination — intellect and introspection. Symbolizing a new era of economic thought, the image reflects Dalio’s 2022 reversal, “I no longer think cash is trash,” portraying him not merely as an investor, but as a thinker reshaping capitalism’s conscience. Blending fine art with corporate gravitas, the work positions Lewis at the intersection of aesthetic mastery and financial portraiture for the Fortune 500 age.
Rory Lewis Non-Profit presents a visual thesis uniting portraits of the last three Commanders of the Household Division — Lieutenant General Sir Ben Bathurst, Major General Sir Chris Ghika, and Major General James Bowder — each photographed at the historic Duke of Wellington’s desk inside Horse Guards, London.
In the Press
Thank you to BBC Corespondent Chris Long interviewing me about my Northerners Photography Exhibition. Speaking in particular about my sittings with Sir Patrick Stewart, Sir Ian McKellen, full transcript below.
Selected Awards & Acquisitions
We’re delighted to share that a portrait of acclaimed actor David Warner — known for his roles in Titanic, Time Bandits, and The Omen — captured by Rory Lewis Photographer, has been officially acquired by the National Portrait Gallery, London. Remarkably, this sitting marked David’s first portrait session since being photographed by Cecil Beaton in 1966.
In this newly unveiled portrait of former Prime Minister Tony Blair, portrait photographer Rory Lewis explores not the image of power but its human cost. Years after their first sitting, Lewis captures Blair with a softened expression yet undiminished intellect—an introspective study of conviction, consequence, and time.