London

Jared Harris in The Wall Street Journal

Jared Harris in The Wall Street Journal

Last week The Wall Street Journal published Marc Myers' House Call interview with Jared Harris, and the portrait that opens the piece is one of mine.

The sitting took place at my London studio. Harris was filming at the time, and he set the production aside for a day so that he could sit. That is not a small thing. A filming day is an expensive, jealously guarded commodity, and an actor who gives one up for a portrait is telling you something about the seriousness with which he regards the record of his own face.

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Photographing the cover of Things I Took from the Dark

Photographing the cover of Things I Took from the Dark

Last October — a full year before the book would reach the shelves — he came to my Farringdon studio to sit for the cover of Things I Took from the Dark: The Museum of Me, his illustrated memoir, published by Quercus on 8 October. For thirty years — from The League of Gentlemen through Psychoville to Inside No. 9, which brought him and Steve Pemberton a BAFTA for its final series — Shearsmith has been British television's most reliable custodian of the uncanny. The book explains why.

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Tom Connolly New actors headshots at the studio, downtown Los Angeles

Tom Connolly New actors headshots at the studio, downtown Los Angeles

There is a particular pleasure in photographing an actor who has spent time in the eighteenth century. Tom Connolly leads the feature film Love, Courage and the Battle of Bushy Run as Colonel Henry Bouquet, the Swiss-born British Army officer whose victory at Bushy Run opened the road to the relief of Fort Pitt. The battle was fought, as it happens, in the first week of August, two hundred and sixty-three years ago this month.

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